"There Is No (Where a) Face Like Home": Recognition and Appraisal Responses to Masked Facial Dialects of Emotion in Four Different National Cultures

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dc.contributor.authorTsikandilakis, Myron
dc.contributor.authorYu, Zhaoliang
dc.contributor.authorKausel, Leonie
dc.contributor.authorBoncompte, Gonzalo
dc.contributor.authorLanfranco, Renzo C.
dc.contributor.authorOxner, Matt
dc.contributor.authorBali, Persefoni
dc.contributor.authorLeong, Poutasi Urale
dc.contributor.authorQing, Man
dc.contributor.authorPaterakis, George
dc.contributor.authorCaci, Salvatore
dc.contributor.authorMilbank, Alison
dc.contributor.authorMevel 14, David Carmel
dc.date.accessioned2022-03-18T20:07:38Z
dc.date.available2022-03-18T20:07:38Z
dc.date.issued2021
dc.description.abstractThe theory of universal emotions suggests that certain emotions such as fear, anger, disgust, sadness, surprise and happiness can be encountered cross-culturally. These emotions are expressed using specific facial movements that enable human communication. More recently, theoretical and empirical models have been used to propose that universal emotions could be expressed via discretely different facial movements in different cultures due to the non-convergent social evolution that takes place in different geographical areas. This has prompted the consideration that own-culture emotional faces have distinct evolutionary important sociobiological value and can be processed automatically, and without conscious awareness. In this paper, we tested this hypothesis using backward masking. We showed, in two different experiments per country of origin, to participants in Britain, Chile, New Zealand and Singapore, backward masked own and other-culture emotional faces. We assessed detection and recognition performance, and self-reports for emotionality and familiarity. We presented thorough cross-cultural experimental evidence that when using Bayesian assessment of non-parametric receiver operating characteristics and hit-versus-miss detection and recognition response analyses, masked faces showing own cultural dialects of emotion were rated higher for emotionality and familiarity compared to other-culture emotional faces and that this effect involved conscious awareness.es
dc.description.versionVersión enviadaes
dc.identifier.citationTsikandilakis M, Yu Z, Kausel L, Boncompte G, Lanfranco RC, Oxner M, Bali P, Urale Leong P, Qing M, Paterakis G, Caci S, Milbank A, Mevel PA, Carmel D, Madan C, Derrfuss J, Chapman P. "There Is No (Where a) Face Like Home": Recognition and Appraisal Responses to Masked Facial Dialects of Emotion in Four Different National Cultures. Perception. 2021 Dec;50(12):1027-1055. doi: 10.1177/03010066211055983.es
dc.identifier.urihttps://doi.org/10.1177/03010066211055983es
dc.identifier.urihttp://hdl.handle.net/11447/5759
dc.language.isoenes
dc.subjectCulturees
dc.subjectEmotiones
dc.subjectDialectses
dc.subjectMaskinges
dc.subjectConsciouses
dc.subjectUnconsciouses
dc.title"There Is No (Where a) Face Like Home": Recognition and Appraisal Responses to Masked Facial Dialects of Emotion in Four Different National Cultureses
dc.typeArticlees
dcterms.sourcePerceptiones

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