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"Scenographies of Evil " From the aesthetics of horror to infamous characters

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dc.contributor.author Godoy Contreras, Iván
dc.date.accessioned 2017-11-08T23:31:32Z
dc.date.available 2017-11-08T23:31:32Z
dc.date.issued 2017
dc.identifier.citation Co-Herencia, vol.14, n° 26, pp. 59-86
dc.identifier.uri http://hdl.handle.net/11447/1730
dc.identifier.uri http://dx.doi.org/10.17230/co-herencia.14.26.3
dc.description.abstract The war will be, precisely, the favorable scenario for the abuse of corpses for political reasons where two elements, which are consubstantial to Evil, converge. The first one points to the negation of the Other as a human being and subject of laws, which enables the aggressor to act cruelly on his victim. The second one refers to the gradual "spectacularization" of the corpse, whose images reveal cruelty against the Other. From art to digital images, the scenographies of Evil unfold in a polysemic manner. Drama, therefore, occurs in the staging of the other's suffering; it not only resides on the face of pain and the death cry of the defeated, or in the pleasure, courage or bravery of his executioner, but also on the afterlife, in the use and abuse of the enemy's corpse to prolong the damage and pain, directly or indirectly of the mourner and his community.
dc.format.extent 27 p.
dc.language.iso en_US
dc.subject Evil
dc.subject Violence
dc.subject Cruelty
dc.subject Horror
dc.subject Terrorism
dc.title "Scenographies of Evil " From the aesthetics of horror to infamous characters
dc.type Artículo


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